Awards eligibility and awards recommendations
Wow, it’s that time of year again (seriously, where did 2013 go?). I didn’t publish a whole lot in 2013: my favourite piece is “The Waiting Stars”, which originally appeared in Athena Andreadis’s and Kay Holt’s The Other Half of the Sky (published in April 2013). It was picked for Gardner Dozois in his Year’s Best, recommended by Ken Liu and Ada Hoffman (and singled out for praise by Rich Horton in his Locus review). It’s my Xuya space opera story, which has killer drones, signal processing and a lot of mindships 🙂
You can find it online here, and also in EPUB, MOBI (Kindle) and PDF format (if you need DOC or RTF, drop me a line via the contact form, and I’ll be quite happy to provide a copy. I just am not a big fan of putting Word formats online–too easy to modify them by mistake…). It’s eligible for the Hugos and Nebulas (in the novelette category), and for the BSFA Awards as well.
Now for the less selfish part of this post: the stuff I really liked from last year (a fair warning that a lot of the people involved are acquaintances or friends–that said, I wouldn’t recommend their stories if I didn’t genuinely like them and think them award worthy).
–“Silent Bridge, Pale Cascade” by Benjanun Sriduangkaew, Clarkesworld December 2013. A woman comes back from the dead to deal with her former spouse. Awesome world building, crunchy thoughts on history and the manipulation of public and private record, and tantalising hints of a larger gender fluid society. I’m jealous.
-“Of Alternate Adventures and Memory” by Rochita Loenen-Ruiz, Clarkesworld December 2013. The son of a former metal woman returns to the city of her birth, and must decide what to do with his inheritance. I was surprised this was a short story, because reading it I thought this was much longer: there’s so much packed into–thoughts on difference, on memory, on what is worth preserving. And as always, gorgeous prose.
–“The Knight of Chains, The Deuce of Stars” by Yoon Ha Lee. OK, so it’s always hard to pick a favourite Yoon Ha Lee story, but this was the one that most blew me away this year. I had the privilege of writing the introduction to the short story collection Conservation of Shadows, and regret that this wasn’t included in it. In a tower that holds all the games in the world, a woman who was once admiral in an unwinnable war comes to defy the Guardian for the ultimate game… Gorgeous prose, sharp observations and great ideas.
EDIT: -“Balik Kampung” by Zen Cho (in Solaris’s The End of the Road, available from Zen if you request it) is a beautiful tale of ghosts in modern-day Malaysia, New Year’s Eve and returning home.
–“The Litigation Master and the Monkey King” by Ken Liu, Lightspeed Magazine, August 2013. Pretty sure Ken will be on the ballot without my signal boosting, but I really liked this story of an Ancient Chinese litigation master, his relation with the legendary Monkey King, and the suppression and preservation of historical record.
–Boat in Shadows, Crossing by Tori Truslow, Beneath Ceaseless Skies, January 2013. You know that feeling you get when you read a fantasy book? That crunchy feeling that it’s a real place that happens to look nothing like our world? Truslow nails it from the get go. That it’s a story about gender and gender fluidity–and festivals, and gods–only makes it more appealing.
EDIT: -“Yseul’s Lexicon” by Yoon Ha Lee (published in her collection Conservation of Shadows): magic, language and the cost of erasure. Awesome.
–“Burning Girls” by Veronica Schanoes. Found out about this one too late for the Nebulas, so it’s fortunate it got on the final ballot without me. A great tale of immigration, family and dangerous pacts with demons, all steeped in vivid period detail.
–The Bone Flower Throne, by T.L. Morganfield, Panverse Publishing. T.L. Morganfield brilliantly brings to life Ancient Mexico in Toltec times, in a brilliant retelling of the myth of Quetzalcoatl that focuses on his sister. This reads like Mists of Avalon in Ancient Mexico: I love the focus on women and on what they have to do to survive, and the characters are very strongly drawn (TW for incest though–hardly avoidable as it’s in the original myth…).
Best Fan Artist:
-Ninni Aalto, who did the art for much of the Helsinki bid. See an example of her work here. And her blog is here.
Best Editor (Short Form)
-Jon Oliver, for his work as editor of the Solaris anthologies. For once that Worldcon is in the UK, I think it’d be awesome if more UK editors were recognised. Solaris puts out great books, and Jon is very good at putting together cutting-edge and diverse anthologies like The End of the Road.
Benjanun Sriduangkaew. She’s burst all over the SFF scene this year, with stories in BCS, Clarkesworld and various anthologies, and I really think she deserves a Campbell nomination. Her universes are intricate looks at gender fluidity and gender roles; her prose makes me ultra jealous; and I’m so looking forward to the day when she releases a longer work (I understand there’s a space opera novella in the works, so maybe I don’t have to wait quite so long!). Stories of hers worth reading: I already mentioned “Silent Bridge, Pale Cascade”, but if fantasy is more your thing, her “The Crows Her Dragon’s Gate” was absolutely awesome. And her “The Bees Her Heart, the Hives Her Belly” (not available online at the moment, you’ll have to buy Clorkwork Phoenix 4) was a reviewer favourite this year.